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We are pleased to announce former artist in residence Caitlin Berrigan’s solo exhibition Secondary Sex Characteristics. The exhibition will be at the Proof Gallery in Boston until June 19th. 
In Secondary Sex Characteristics, Caitlin Berrigan lovingly inscribes the flecks, curls, and tangles of her subjects’ chest and nipple hair. The ink on vellum drawings linger perversely within notions of the secondary, the trivial, and the liminal. Unrelated to procreation—the alleged “primary” function of sex—these “secondary” sex characteristics denote seemingly insignificant difference. But might their inconsequence also imply a powerful unreliability and ambiguity? What if gender were defined by the quantity of hair on one’s chest? Its curliness? The shape and weave of one’s thatch?

We are pleased to announce former artist in residence Caitlin Berrigan’s solo exhibition Secondary Sex Characteristics. The exhibition will be at the Proof Gallery in Boston until June 19th. 

In Secondary Sex Characteristics, Caitlin Berrigan lovingly inscribes the flecks, curls, and tangles of her subjects’ chest and nipple hair. The ink on vellum drawings linger perversely within notions of the secondary, the trivial, and the liminal. Unrelated to procreation—the alleged “primary” function of sex—these “secondary” sex characteristics denote seemingly insignificant difference. But might their inconsequence also imply a powerful unreliability and ambiguity? What if gender were defined by the quantity of hair on one’s chest? Its curliness? The shape and weave of one’s thatch?

Watch Hayley Morris’s new music video for 

“Bounce Bounce” by Hilary Hahn and Hauschka!

Don’t miss 2011 exhibition artist, Danielle Durchslag’s work in A Cut Above at Christopher Henry Gallery.  Up through June 24th.  

Don’t miss 2011 exhibition artist, Danielle Durchslag’s work in A Cut Above at Christopher Henry Gallery.  Up through June 24th.  

Join Kathleen Cullen Fine Arts at the Re Institute for its own “Flash Mob”! The opening reception will be held on May 19th from 3PM to 6 PM. The exhibition runs from May 19th through June 16th. 
The existence of so-called “Flash Mobs” predates the term itself. Historically, artists who have been united by a common time and place (such as Paris in the 1920s and NYC in the 1950s), have frequently congregated to debate cultural beliefs, concerns, and approaches to art making — such artists have used their work as a mechanism with which to question the culture of their times. Within the myriad fringe cultures of today, artists more than ever tend to generate their own societal realities and microcosms in an attempt to transcend the individual. Collectively, the artists in this exhibit remain part of this continuum, while simultaneously pushing the envelope of previous artistic movements. Here, you will find everything from fresh perspectives and appropriations of ‘traditional media’, to new media and performance-based methods — a paradoxically ‘universal plurality’ that renders each artist simultaneously “Individual” AND “Member”. Unconfined by a single medium, these artists embrace everything from photography and drawing, to sculpture, painting, and almost any possible combination therein.  What unifies them is neither a literal theme nor common medium, but rather a sensibility that acknowledges, questions, and deconstructs (if not jettisons) tradition in favor of the more unorthodox and imaginative. Striving to avoid the regurgitation of their own ideas, this Flash Mob boldly pushes boundaries through its ambition of perpetual transformation.

Join Kathleen Cullen Fine Arts at the Re Institute for its own “Flash Mob”! The opening reception will be held on May 19th from 3PM to 6 PM. The exhibition runs from May 19th through June 16th. 

The existence of so-called “Flash Mobs” predates the term itself. Historically, artists who have been united by a common time and place (such as Paris in the 1920s and NYC in the 1950s), have frequently congregated to debate cultural beliefs, concerns, and approaches to art making — such artists have used their work as a mechanism with which to question the culture of their times. Within the myriad fringe cultures of today, artists more than ever tend to generate their own societal realities and microcosms in an attempt to transcend the individual. Collectively, the artists in this exhibit remain part of this continuum, while simultaneously pushing the envelope of previous artistic movements. Here, you will find everything from fresh perspectives and appropriations of ‘traditional media’, to new media and performance-based methods — a paradoxically ‘universal plurality’ that renders each artist simultaneously “Individual” AND “Member”. Unconfined by a single medium, these artists embrace everything from photography and drawing, to sculpture, painting, and almost any possible combination therein.  What unifies them is neither a literal theme nor common medium, but rather a sensibility that acknowledges, questions, and deconstructs (if not jettisons) tradition in favor of the more unorthodox and imaginative. Striving to avoid the regurgitation of their own ideas, this Flash Mob boldly pushes boundaries through its ambition of perpetual transformation.


2011 resident Dave Sinaguglia has two upcoming shows.  Check out his work in The University of Connecticut M.F.A. Exhibition: Do Not Disconnect at SOHO 20 in Chelsea (3rd floor 547 West 27th).  Opening Reception: Thursday May 24, 6-8pm.  Or you can see his solo exhibition, Skin in the Game, at Real Art Ways in Hartford, CT.  Opening reception: Thursday June 21, from 6-8pm.  

2011 resident Dave Sinaguglia has two upcoming shows.  Check out his work in The University of Connecticut M.F.A. Exhibition: Do Not Disconnect at SOHO 20 in Chelsea (3rd floor 547 West 27th).  Opening Reception: Thursday May 24, 6-8pm.  Or you can see his solo exhibition, Skin in the Game, at Real Art Ways in Hartford, CT.  Opening reception: Thursday June 21, from 6-8pm.  

Congratulations to Max Bode on his exhibition MANCHILD with Nick Vokey, a two-man, one-night exhibition (May 17th) at 1201 Broadway, Studio 708 in New York. Bode was a 2012 resident & a guest juror for our summer exhibition. 
The work in MANCHILD explores adult themes from a childlike perspective. Vokey’s and Bode’s work shares a naive quality—whether through their simplified graphic style, choice of material, or subject matter, each artist portrays the sense of wonder and fascination a child feels when confronted with subjects beyond his or her understanding. The resulting large works on paper carry unsettled and uncertain feeling of childhood. 

Congratulations to Max Bode on his exhibition MANCHILD with Nick Vokey, a two-man, one-night exhibition (May 17th) at 1201 Broadway, Studio 708 in New York. Bode was a 2012 resident & a guest juror for our summer exhibition. 

The work in MANCHILD explores adult themes from a childlike perspective. Vokey’s and Bode’s work shares a naive quality—whether through their simplified graphic style, choice of material, or subject matter, each artist portrays the sense of wonder and fascination a child feels when confronted with subjects beyond his or her understanding. The resulting large works on paper carry unsettled and uncertain feeling of childhood. 

We are very excited about 2011 guest curator Ethan Greenbaum’s show, Cultured Stone at Thierry Goldberg Gallery, New York, NY.  Up through June 3rd.  

We are very excited about 2011 guest curator Ethan Greenbaum’s show, Cultured Stone at Thierry Goldberg Gallery, New York, NY.  Up through June 3rd.  

Watch The Bright Motiona music video directed and produced by Elan Bogarin (founding co-director of The Wassaic Project) and Troy Herion (2011 Exhibition artist).  You can also read a write-up about the video on the NPR Music website

Don’t miss Gabriela Vainsencher’s solo show, Don’t Have No Colleague, at Recession Art at CULTUREfix.  9 Clinton St, NY, NY.  The show is up until June 17th.    

Don’t miss Gabriela Vainsencher’s solo show, Don’t Have No Colleague, at Recession Art at CULTUREfix.  9 Clinton St, NY, NY.  The show is up until June 17th.    

Ghost Army Gallery presents “Lower the Heavens,” new paintings by Francesca Palombo.  May 25th - May 31st.  Opening reception May 24th 6pm.  Directions here.

Ghost Army Gallery presents “Lower the Heavens,” new paintings by Francesca Palombo.  May 25th - May 31st.  Opening reception May 24th 6pm.  Directions here.

Iron Maiden Artist Tours has announced their spring 2012 line-up!  For more information visit their website.

Iron Maiden Artist Tours has announced their spring 2012 line-up!  For more information visit their website.

Congratulations to Sena Clara Creston on her MFA thesis exhibition, MACHINESCAPE, an installation comprised of consumer electronic equipment, reworked to animate components of an immersive sculptural landscape.  Discarded consumer products were stripped down to their mechanical systems gaining new function as the puppeteers used to animate sculptural interpretations of the earth’s natural systems: water, land, and sky.  

Congratulations to Sena Clara Creston on her MFA thesis exhibition, MACHINESCAPE, an installation comprised of consumer electronic equipment, reworked to animate components of an immersive sculptural landscape.  Discarded consumer products were stripped down to their mechanical systems gaining new function as the puppeteers used to animate sculptural interpretations of the earth’s natural systems: water, land, and sky.  

2011 resident Janine Iversen is showing work in Nostos Algos at This Must Be The Place Gallery in Williamsburg.  The opening is Thursday May 3, 7-10pm.  Can’t wait!

2011 resident Janine Iversen is showing work in Nostos Algos at This Must Be The Place Gallery in Williamsburg.  The opening is Thursday May 3, 7-10pm.  Can’t wait!

Don’t miss 2012 resident Emily Weiskopf’s latest project Rockport Public Library.  She teamed up with The American Laboratory to create an original inspired work that consist of plexi-glass Archways, a sculptural installation for the production of Rockport Public Library. Rockport Public Library is a performance installation marrying visual art, performance art, and experimental theatre.  Rockport Public Library is making its “silent” debut starting this Friday April 27,  April 30, May 1 (Mon/Tues) at 8pm and the space itself will be open by appointment till May 5. This will be at a Pop Up Space at 168 Powers Street, Williamsburg.  It is free to the public.

Don’t miss 2012 resident Emily Weiskopf’s latest project Rockport Public Library.  She teamed up with The American Laboratory to create an original inspired work that consist of plexi-glass Archways, a sculptural installation for the production of Rockport Public Library. Rockport Public Library is a performance installation marrying visual art, performance art, and experimental theatre.  Rockport Public Library is making its “silent” debut starting this Friday April 27,  April 30, May 1 (Mon/Tues) at 8pm and the space itself will be open by appointment till May 5. This will be at a Pop Up Space at 168 Powers Street, Williamsburg.  It is free to the public.

Artists and friends of The Wassaic Project Virginia Lavado and Camilo Rojas recently updated their websites.  Take a look! 

Artists and friends of The Wassaic Project Virginia Lavado and Camilo Rojas recently updated their websites.  Take a look! 

We are pleased to announce former artist in residence Caitlin Berrigan’s solo exhibition Secondary Sex Characteristics. The exhibition will be at the Proof Gallery in Boston until June 19th. 
In Secondary Sex Characteristics, Caitlin Berrigan lovingly inscribes the flecks, curls, and tangles of her subjects’ chest and nipple hair. The ink on vellum drawings linger perversely within notions of the secondary, the trivial, and the liminal. Unrelated to procreation—the alleged “primary” function of sex—these “secondary” sex characteristics denote seemingly insignificant difference. But might their inconsequence also imply a powerful unreliability and ambiguity? What if gender were defined by the quantity of hair on one’s chest? Its curliness? The shape and weave of one’s thatch?

We are pleased to announce former artist in residence Caitlin Berrigan’s solo exhibition Secondary Sex Characteristics. The exhibition will be at the Proof Gallery in Boston until June 19th. 

In Secondary Sex Characteristics, Caitlin Berrigan lovingly inscribes the flecks, curls, and tangles of her subjects’ chest and nipple hair. The ink on vellum drawings linger perversely within notions of the secondary, the trivial, and the liminal. Unrelated to procreation—the alleged “primary” function of sex—these “secondary” sex characteristics denote seemingly insignificant difference. But might their inconsequence also imply a powerful unreliability and ambiguity? What if gender were defined by the quantity of hair on one’s chest? Its curliness? The shape and weave of one’s thatch?

Watch Hayley Morris’s new music video for 

“Bounce Bounce” by Hilary Hahn and Hauschka!

Don’t miss 2011 exhibition artist, Danielle Durchslag’s work in A Cut Above at Christopher Henry Gallery.  Up through June 24th.  

Don’t miss 2011 exhibition artist, Danielle Durchslag’s work in A Cut Above at Christopher Henry Gallery.  Up through June 24th.  

Join Kathleen Cullen Fine Arts at the Re Institute for its own “Flash Mob”! The opening reception will be held on May 19th from 3PM to 6 PM. The exhibition runs from May 19th through June 16th. 
The existence of so-called “Flash Mobs” predates the term itself. Historically, artists who have been united by a common time and place (such as Paris in the 1920s and NYC in the 1950s), have frequently congregated to debate cultural beliefs, concerns, and approaches to art making — such artists have used their work as a mechanism with which to question the culture of their times. Within the myriad fringe cultures of today, artists more than ever tend to generate their own societal realities and microcosms in an attempt to transcend the individual. Collectively, the artists in this exhibit remain part of this continuum, while simultaneously pushing the envelope of previous artistic movements. Here, you will find everything from fresh perspectives and appropriations of ‘traditional media’, to new media and performance-based methods — a paradoxically ‘universal plurality’ that renders each artist simultaneously “Individual” AND “Member”. Unconfined by a single medium, these artists embrace everything from photography and drawing, to sculpture, painting, and almost any possible combination therein.  What unifies them is neither a literal theme nor common medium, but rather a sensibility that acknowledges, questions, and deconstructs (if not jettisons) tradition in favor of the more unorthodox and imaginative. Striving to avoid the regurgitation of their own ideas, this Flash Mob boldly pushes boundaries through its ambition of perpetual transformation.

Join Kathleen Cullen Fine Arts at the Re Institute for its own “Flash Mob”! The opening reception will be held on May 19th from 3PM to 6 PM. The exhibition runs from May 19th through June 16th. 

The existence of so-called “Flash Mobs” predates the term itself. Historically, artists who have been united by a common time and place (such as Paris in the 1920s and NYC in the 1950s), have frequently congregated to debate cultural beliefs, concerns, and approaches to art making — such artists have used their work as a mechanism with which to question the culture of their times. Within the myriad fringe cultures of today, artists more than ever tend to generate their own societal realities and microcosms in an attempt to transcend the individual. Collectively, the artists in this exhibit remain part of this continuum, while simultaneously pushing the envelope of previous artistic movements. Here, you will find everything from fresh perspectives and appropriations of ‘traditional media’, to new media and performance-based methods — a paradoxically ‘universal plurality’ that renders each artist simultaneously “Individual” AND “Member”. Unconfined by a single medium, these artists embrace everything from photography and drawing, to sculpture, painting, and almost any possible combination therein.  What unifies them is neither a literal theme nor common medium, but rather a sensibility that acknowledges, questions, and deconstructs (if not jettisons) tradition in favor of the more unorthodox and imaginative. Striving to avoid the regurgitation of their own ideas, this Flash Mob boldly pushes boundaries through its ambition of perpetual transformation.


2011 resident Dave Sinaguglia has two upcoming shows.  Check out his work in The University of Connecticut M.F.A. Exhibition: Do Not Disconnect at SOHO 20 in Chelsea (3rd floor 547 West 27th).  Opening Reception: Thursday May 24, 6-8pm.  Or you can see his solo exhibition, Skin in the Game, at Real Art Ways in Hartford, CT.  Opening reception: Thursday June 21, from 6-8pm.  

2011 resident Dave Sinaguglia has two upcoming shows.  Check out his work in The University of Connecticut M.F.A. Exhibition: Do Not Disconnect at SOHO 20 in Chelsea (3rd floor 547 West 27th).  Opening Reception: Thursday May 24, 6-8pm.  Or you can see his solo exhibition, Skin in the Game, at Real Art Ways in Hartford, CT.  Opening reception: Thursday June 21, from 6-8pm.  

Congratulations to Max Bode on his exhibition MANCHILD with Nick Vokey, a two-man, one-night exhibition (May 17th) at 1201 Broadway, Studio 708 in New York. Bode was a 2012 resident & a guest juror for our summer exhibition. 
The work in MANCHILD explores adult themes from a childlike perspective. Vokey’s and Bode’s work shares a naive quality—whether through their simplified graphic style, choice of material, or subject matter, each artist portrays the sense of wonder and fascination a child feels when confronted with subjects beyond his or her understanding. The resulting large works on paper carry unsettled and uncertain feeling of childhood. 

Congratulations to Max Bode on his exhibition MANCHILD with Nick Vokey, a two-man, one-night exhibition (May 17th) at 1201 Broadway, Studio 708 in New York. Bode was a 2012 resident & a guest juror for our summer exhibition. 

The work in MANCHILD explores adult themes from a childlike perspective. Vokey’s and Bode’s work shares a naive quality—whether through their simplified graphic style, choice of material, or subject matter, each artist portrays the sense of wonder and fascination a child feels when confronted with subjects beyond his or her understanding. The resulting large works on paper carry unsettled and uncertain feeling of childhood. 

We are very excited about 2011 guest curator Ethan Greenbaum’s show, Cultured Stone at Thierry Goldberg Gallery, New York, NY.  Up through June 3rd.  

We are very excited about 2011 guest curator Ethan Greenbaum’s show, Cultured Stone at Thierry Goldberg Gallery, New York, NY.  Up through June 3rd.  

Watch The Bright Motiona music video directed and produced by Elan Bogarin (founding co-director of The Wassaic Project) and Troy Herion (2011 Exhibition artist).  You can also read a write-up about the video on the NPR Music website

Don’t miss Gabriela Vainsencher’s solo show, Don’t Have No Colleague, at Recession Art at CULTUREfix.  9 Clinton St, NY, NY.  The show is up until June 17th.    

Don’t miss Gabriela Vainsencher’s solo show, Don’t Have No Colleague, at Recession Art at CULTUREfix.  9 Clinton St, NY, NY.  The show is up until June 17th.    

Ghost Army Gallery presents “Lower the Heavens,” new paintings by Francesca Palombo.  May 25th - May 31st.  Opening reception May 24th 6pm.  Directions here.

Ghost Army Gallery presents “Lower the Heavens,” new paintings by Francesca Palombo.  May 25th - May 31st.  Opening reception May 24th 6pm.  Directions here.

Iron Maiden Artist Tours has announced their spring 2012 line-up!  For more information visit their website.

Iron Maiden Artist Tours has announced their spring 2012 line-up!  For more information visit their website.

Congratulations to Sena Clara Creston on her MFA thesis exhibition, MACHINESCAPE, an installation comprised of consumer electronic equipment, reworked to animate components of an immersive sculptural landscape.  Discarded consumer products were stripped down to their mechanical systems gaining new function as the puppeteers used to animate sculptural interpretations of the earth’s natural systems: water, land, and sky.  

Congratulations to Sena Clara Creston on her MFA thesis exhibition, MACHINESCAPE, an installation comprised of consumer electronic equipment, reworked to animate components of an immersive sculptural landscape.  Discarded consumer products were stripped down to their mechanical systems gaining new function as the puppeteers used to animate sculptural interpretations of the earth’s natural systems: water, land, and sky.  

2011 resident Janine Iversen is showing work in Nostos Algos at This Must Be The Place Gallery in Williamsburg.  The opening is Thursday May 3, 7-10pm.  Can’t wait!

2011 resident Janine Iversen is showing work in Nostos Algos at This Must Be The Place Gallery in Williamsburg.  The opening is Thursday May 3, 7-10pm.  Can’t wait!

Don’t miss 2012 resident Emily Weiskopf’s latest project Rockport Public Library.  She teamed up with The American Laboratory to create an original inspired work that consist of plexi-glass Archways, a sculptural installation for the production of Rockport Public Library. Rockport Public Library is a performance installation marrying visual art, performance art, and experimental theatre.  Rockport Public Library is making its “silent” debut starting this Friday April 27,  April 30, May 1 (Mon/Tues) at 8pm and the space itself will be open by appointment till May 5. This will be at a Pop Up Space at 168 Powers Street, Williamsburg.  It is free to the public.

Don’t miss 2012 resident Emily Weiskopf’s latest project Rockport Public Library.  She teamed up with The American Laboratory to create an original inspired work that consist of plexi-glass Archways, a sculptural installation for the production of Rockport Public Library. Rockport Public Library is a performance installation marrying visual art, performance art, and experimental theatre.  Rockport Public Library is making its “silent” debut starting this Friday April 27,  April 30, May 1 (Mon/Tues) at 8pm and the space itself will be open by appointment till May 5. This will be at a Pop Up Space at 168 Powers Street, Williamsburg.  It is free to the public.

Artists and friends of The Wassaic Project Virginia Lavado and Camilo Rojas recently updated their websites.  Take a look! 

Artists and friends of The Wassaic Project Virginia Lavado and Camilo Rojas recently updated their websites.  Take a look! 

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